In the last seven days, The Voice has swiveled its way into America's hearts (watch out, Idol!). Meanwhile, Jlo is leaving her AMERICAN IDOL future up to God. Hey God, nevermind about Japan. JLo needs career guidance. And oh, Stefano and his swag exited stage left.
This week, it's the songs of Carole King, "one of the most revered singer-songwriters in pop music history." Word.
Judy Jetson's Prom Date
Our guest co-mentor tonight is Babyface. You remember Babyface, right?
He unleashed David Silver's pathetic white-boy rap on fictional Beverly Hills, allowing him to play keyboard. Hyped up on fame, David "got his silver on" in the back of a limo with some skank -- only to be found in his post-coital sweat puddle by virgin girlfriend Donna Martin. (Who, attended her own graduation due to the unforgettable chant heard 'round 1993.) An the lesson is: Stop watching Beverly Hills 90210 reruns.
Jacob is dressed like gay Jimmy Olsen car salesman. His performance is less weepy, and much more sassy this week. I, for one, am glad to see Jacob not on the verge of musical drama tears. The Judges found some notes sharp, but they liked the energy and the shaking of the tail feather.
Lauren Alaina “Where You Lead”
At her practice session, Lauren meets Miley Cyrus, who she regards as a big star. So, we know Lauren's a tool. Lauren pulls up random teenage boy to sing to, like a low rent Dancing In The Dark video. The Judges like the "more confident" Lauren, especially since Show engineered it.
Observation: Why does Randy's sweater look like Riverdale High merged with Hogwarts?
Casey Abrams and Haley Reinhart: “I Feel the Earth Move”
Because Show wants to hurt me, we also have duets tonight. Here's real life couple Casey and Haley. I hear serial-killer-eyes Casey is shopping for Haley's human flesh suit. Awww. Their interplay is actually kinda fun, with Haley edging out Casey in the vocals department.
Scotty McCreery: “You’ve Got a Friend”
Scotty starts out on the solemn stairs, in a slowed down version of the song. The billowing smoke whispers, "Take him seriously, bitches." It's his least-countrified performance to date, aided and abetted by a very nice arrangement from the band. I'm not a Scotty fan, but this is actually pretty good, I'm loathe to admit. The Judges like the "tender moment."
James Durbin: “Will You Love Me Tomorrow”
Everyone is starting dark, solemn and slow tonight. That's code for "serious artist" on this show. It's actually a nice, stripped down performance, with no flaming pianos or smoke machines. And no screeching. Honestly, if James was like this every week, I might be a fan. The Judges found it "magical" and "incredible." With Randy announcing "this guy might win the whole thing!" Yes, Randy, apparently you were awake at this week's producers meeting.
Lauren Alaina and Scotty McCreery: “Up on the Roof”
Another song with solemn-slow dark start. Next time I sing karaoke, I'm totally gonna rock that. It's kind of a sweet, small performance. Good, but nothing earth-shattering.
Casey Abrams: “Hi-De-Ho That Old Sweet Roll”
Casey has a janunty hat. Surely that means he's a quirky-cool hipster, yes? His performance is a sort of jazz-bluesy episode of Kids Incorporacted. It's somewhat entertaining, but not sure it does much to show off Casey's vocals. The Judges still liked the uniqueness that is Casey.
Haley Reinhart: “Beautiful”
Haley definitely gets the "most improved" award this season, getting more dependable each passing week. And has her talent increases, her hemlines get longer. Coincidence? I think not. Anyhoo, this is a solid performance.
Jacob Lusk and James Durbin: “I’m Into Something Good”
This pair starts on the solemn stairs, but Jacob is tapping oh-so-peppy. James is sporting his best Warblers jacket, as the two of them pretty effortlessly nail this song.
So who's going home? I'm guessing Jacob has shaken his last tail feather.
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